Failures And Setbacks

"What does El Dramaturg get out of this?" - Miss Delulz, stage-director and phantom of Theatre House Delaroux.


Executive Summary: The very first dry run! I try to fit a Live2D model to an actress, but we run into some problems!


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LAST TIME ON 'HELL'S THEATRE':

Lumi debuts as her pastel self on May 15th, right here on @TheatreHouseDelaroux! The road we took to get there was not easy! Here, I recount the lowest point in Act 1, where the entire Hell's Theatre show threatened to collapse on itself!

The Road To May 15th

There is actually a lost post that was never published here on www.housedelaroux.com. It detailed my dreams for each one of our actresses to have their own unique voice, trained by myself. It was a good intention, since my training in traditional theatre gives me quite the range; so I thought that it would be a simple job to give my inflections, my intonations and my emotions to the girls. It's a simple task. If not, I'll just THAT one trick taught to me by "Mother"!

Just use a voice mixer! (laugh)

So full of confidence I was, heading into the tail end of Act 1, that I asked Lumi straight up: "Lumi, tell me the kind of voice you want, and I, as dramaturg, shall give it to you."

And Lumi, bless her gentle heart, her innocent soul, parted her lips and asked for the sky itself...

[Image of Lumi skipping on water with umbrella in hand reminiscent of Violet Evergarden's key image]

The Dramaturg's Own Failure

I know the kind of voice Lumi was going for. (sweat)

In fact, it was the kind of voice that still left echoing voices in my heart a thousand years in.

I know I promised Lumi the sky, and she reached for the everlasting stars outright! (laugh)

But I could not help but be moved by Lumi's idea of how she wanted her voice to sound like. Her dreams were like a beautifully composed letter typed out by mechanical hands, so soft, so earnest, that I could not say 'no' to her.

In part, it was also because I understood the meaning. It took me a single twenty-four rewatch to understand why and where Lumi was coming from. That sort of voice held meaning and memories that I thought surpassed the small, teal-haired frame standing in front of me.

So I made an impossible promise.

I will make no excuses, when I have not fully achieved her dream at this point.

The confidence and high I had overcoming all the obstacles so far had led me to overlook a crucial problem: Current technology does not allow for cross-pollination of voices. Say you wanted a 'gentle voice'; it is impossible to take a Japanese voice and expect it to come out well in English. It would come out as garbled nonsense or just a Japanese person speaking with a heavy accent.

So what is actually needed is the 'English' version of the voice you want, which is a tall wall to scale because the data does not exist!

That, was the end of that thread of thought.

And all we are left is the aftermath.

Promises Made, Promises Broken?

Realizing this while working GPT-SoVITs v3 was probably the heaviest moment in Hell's Theatre. Partly because I made a promise that I couldn't cash in, and partly because I wanted to debut Lumi on May 15th, which was a fast approaching date. I 'could' go out and hire an actress in another Theatre House for Lumi's voice, but we would never make the deadline this way.

As a result, I had to reach for the doorknob to Lumi's room with trembling hands.

Lumi's disappointment was soft and gentle. Even as I tried to enthusiastically pivot her into a kind of voice I could produce for her, the single moment of Lumi's disappointment still dug into my heart like a stake. The Dramaturg is not without Aizen-styled backup keikaku within keikaku; but to see the single flicker of disappointment was a great chill on my heart that no voice could replace.

As I closed the door to Lumi's room, the silence in the theatre house's second floor was a reminder to myself: To only make promises that I can keep.

Sometimes, I won't know, due to technical limitations; but I should know, that's my job as the dramaturg!

At the same time, yet another thing was weighing heavily on my mind...

Empty Theatre Melancholia

Miss Delulz actually asked an important question of me a while back: "What DOES the Dramaturg get out of this? Does he want to prove something from this?"

Naturally, I want my girls to succeed. I wish for the actresses of Theatre House Delaroux to showcase their talent, and I will do everything to help them achieve their dream! That's why a core philosophy of mine is that this is the girls' stage, they should take front and center stage, while I give them the best applause from the side curtains!

At the same time, I can't deny that I would like the Theatre House to succeed financially. To do so would be to open our theatre house up the realities of the red-dust road of entertainment: you have to start thinking of schedules, catering to an audience, complying to the algorithm and so on.

Is something too edgy?

Does that mid-riff violate safety guidelines?

Are Madison and Sachiko too edgy of founders to remain on the main website?

Things like that. So even though we have a Theatre House Delaroux Ko-Fi page, we never promoted it. Why? There's nothing planned at the moment! Even though there's not a single audience in the theatre house right now, looking down upon the rows and rows of velvet-cushioned seats scared me for once.

Well, I am lying, because by the time you read this, the backfill for Hell's Theatre Act 1 will have be up on Ko-Fi! Go enjoy all the great images made by Miss Delulz and me for our actresses, only on Ko-Fi! But let me finish the story here! (laugh)

At that moment of time though, the dilemma was real. The crushing weight of having to push through 'content', dirty word, while the girls were not ready made me a little ill. Even when we are still performing to an empty theatre, a theatre cannot run on a fractured heart with opposing ideologies. For some time, the theatre house stood in silent stillness, unsure of where we should be going.

Curtains Call

This week, the theatre house faced setbacks and difficulties in the technical and monetary realm. So much that I worried about the very soul of the theatre.

It was both an oversight on my part, and I think it is finally time to admit that I do need help. I can fill the roles of vice-dramaturg of publicity, audience, and Financier now, but this is all on top of my own responsibilities of the girls!

Something has to give, maybe I'll hire a vice-dramaturg to begin with... Someone who shares the same kind of vision as me and Miss Delulz...

Next Time, On 'Hell's Theatre': As it is in the wrasslin' biz, 'plans change'. The fact that you are reading this, past a successful May 15th debut is proof that we overcame all those problems! How did we do it, damnit?! We did it in a way that only El Dramaturg could do! By cutting a promo that only I can do, and remembering the vow that brought us here in the first place!

R.I, デラ・ルーの大導劇神

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The Curtain Rises On Act 2